The things people actually ask.

A signed contract and a booking fee. Until both are in, the date stays open to anyone else who asks.

Plans evolve and that is rarely a problem. We adapt the coverage so it still fits the day.

Travel within England and Wales is included. Scotland carries a small fee depending on location.

Yes. Europe carries a flat £500 travel fee and anywhere else £1,000. Beyond that it is the same coverage and the same approach.

Yes. Pre-wedding day coverage starts at £750 depending on what you have planned and how long it runs — a family lunch, a barbecue, people arriving the night before. If you would rather not work out which extras you want, The All In gathers all of it into one price.

Coverage usually begins two to three hours before the ceremony and runs through to around 10pm. Starting earlier is fine, and if the evening is the point I am happy to stay on. The All In runs until midnight, or until the venue turns the lights on.

No, and it is the most common thing people say. Most of the day nobody is looking at me, so there is nothing to be comfortable in front of. The short part where you are aware of the camera is ten minutes, and I would rather it looked like you than like a photo shoot.

A few key combinations, worked through quickly and with a bit of humour. They are the 1% for a reason — a long list of groups eats the part of the day you will actually want photographs of.

Rain, low light, changing conditions — all part of it. Some of the most memorable frames come out of weather nobody wanted.

Yes, and comfortably. Good suppliers make each other’s jobs easier, and none of it should be visible to you on the day.

Yes — £450 for the full day, or £250 for the morning preparations only. It is included in The All In, from preparations through to the first dance.

Yes. Not an associate, and not whoever happens to be free that weekend. The person you meet is the person who photographs your wedding, and the person who edits it afterwards.

Four to six weeks for a single day’s coverage. Six to eight if you have booked extra days or The All In.

Typically 600 to 700 or more for a full day, curated and fully edited. The number matters less than the edit — you are getting the day, not every frame of it.

Yes. You get high-resolution images for personal use and a USB copy, so printing is entirely yours to do.

Yes, added after the wedding once you have seen your full gallery, from £500. The All In includes a 200-page coffee table book.

Both, where each earns it. Colour as the day actually looked — not so processed that it dates, not so literal that it goes flat. Black and white when it is simply the better photograph.

Within 48 to 72 hours, often sooner. It is me answering, not an inbox somebody else manages.

How the day divides. 95% documentary — observing quietly, anticipating, responding to what is happening. 4% couple portraits — a short intentional pause in good light. 1% group photos — a few key combinations, done quickly.